At 36" tall, this is one of Sydna's largest pieces. It's interesting that Sydna painted a number of landscapes but very few city scenes. In 1964, she had lived in the Suburbs fewer than 10 years. For most of her early life, she lived in Manhattan and the Bronx - far from a rural experience. You would think she'd paint some street scenes, depicting her life in the big city. Yet, her urban works are from a distance, or from other cultures. I think it's because of her use of painting as an escape from her daily life and her past. Her landscape works are lush and peaceful - no honking horns or shouting people - just the faint sounds of moving water and moving leaves. Windmill at Water's Edge is another tranquil expression.
Painted in 1964 - 24" x 36". Oil on canvas.
Sydna's use of greens and yellows reflects the lush greenery and time of day. Once again, Sydna used either the time around sunrise or sunset. Maybe she enjoyed the additional range of colors at those times. Yet, the mellow colors bring some sadness to the piece's lower-half - almost sallow in appearance.
At the horizon, you'll notice a patch of red, leading the observer to believe it is autumn and the far shore is filled with maple trees.
Once again, Sydna shows her strength in creating beautiful, luminescent skies. Her mix of blue skies, wispy clouds, and gray shadows creates a wonderful 3D effect, bringing hope to the day, and a better tomorrow.
See more of the landscape collection here.
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